The production crew, likewise, also represented various European countries. Nero featured actor participation from several countries, namely Britain, Italy, and Germany (Rodriguez, 2003). By Nero‘s release, eighty percent of the movie was funded, the additional twenty percent to be made up by sales (Rave, 2003). The German company EOS Entertainment, as well as the Italian company Lux Vide, eventually took over the project (Crew United, “Imperium – Nero (2003)”). According to Rave (2003), Nero began as a French enterprise, but due to a lack of interest and funding, Italian and German partners became involved in the project. Nero is the second installation in the Imperium series originally planned as a six-film series based on the history of the Roman empire, only five were produced (Winkler, 2017). Luke Nicosia (’21) discusses the surprisingly sympathetic portrait of the Roman emperor Nero that emerges from a 2004 film by British Director Paul Cohen released on television in the Imperium series. Purpledandelion on The Story of Hades and Persephone: Rape and Romance.Matt on The Story of Hades and Persephone: Rape and Romance.Michal Lynn Venetz on Hollywood and History: Pompeii (2014).Colleen White on Faith and Spectacle: Examining Quo Vadis (1951).Ron on Faith and Spectacle: Examining Quo Vadis (1951).Katrina Faulkner: Elizabeth Jane Weston, The Pidgeon and the Painting (1606).Carl Hamilton: Elizabeth Jane Weston, The Flea and the Soldier (1606).Jack Tigani: Elizabeth Jane Weston, The Geese and the Cranes.Nicholas Morris: Elizabeth Jane Weston, The Sow and the Dog.Lexi Chroscinski: Elizabeth Jane Weston, The Captured Lark.Jocelyn Wright: Elizabeth Jane Weston, The Lion and the Frog.Metrics and Style in Ovid’s Metamorphoses.
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